Minggu, 30 Januari 2011

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Los Angeles: The Architecture of Four Ecologies, by Reyner Banham

Reyner Banham examined the built environment of Los Angeles in a way no architectural historian before him had done, looking with fresh eyes at its manifestations of popular taste and industrial ingenuity, as well as its more traditional modes of residential and commercial building. His construct of "four ecologies" examined the ways Angelenos relate to the beach, the freeways, the flatlands, and the foothills. Banham delighted in this mobile city and identified it as an exemplar of the posturban future. In a spectacular new foreword, architect and scholar Joe Day explores how the structure of Los Angeles, the concept of "ecology," and the relevance of Banham's ideas have changed over the past thirty-five years.

  • Sales Rank: #45112 in Books
  • Published on: 2009-03-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .80" w x 5.50" l, .77 pounds
  • Binding: Paperback
  • 296 pages

Review
"Banham wrote like a blissed-out lover, surrendering to his feelings of derangement and wonder while keeping his eyes wide-open."--"Los Angeles Times"

"Banham's book has remained au courant." --"Palisadian Post"

"Still as penetrating now as when Banham completed his observations on the city in 1971."--"La Observed"

"In one volume [Banham] does the near-impossible: He makes us see this fragmented city [of Los Angeles] as a breathing whole."--Ariel Swartley"Los Angeles Magazine" (03/01/2009)

In one volume [Banham] does the near-impossible: He makes us see this fragmented city [of Los Angeles] as a breathing whole. --Ariel Swartley"Los Angeles Magazine" (03/01/2009)"

About the Author
Reyner Banham (1922-1988) was Sheldon H. Solow Professor of the History of Architecture at the Institute of Fine Arts, New York University. Joe Day leads deegan day design llc and serves on the design faculty at the Southern California Institute of Architecture.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Required classic for anyone that loves Los Angeles
By McWells
A classic that every Angeleno should own - so sad that so much has disappeared

0 of 0 people found the following review helpful.
Five Stars
By ann skartvedt
Los Angeles is very beautiful! Fell in love with LA ^)

0 of 0 people found the following review helpful.
Los Angeles: The Architecture of Four Ecologies
By S.L.K.
I had to buy this book for school and Amazon had a great price. The ideas the author presents are interesting and his writing style is definitely interesting. I definitely recommend it for people who live in LA.

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Sabtu, 29 Januari 2011

[K366.Ebook] Free Ebook A Million Miles in a Thousand Years: How I Learned to Live a Better Story, by Donald Miller

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A Million Miles in a Thousand Years: How I Learned to Live a Better Story, by Donald Miller

After writing a successful memoir, Donald Miller's life stalled. During what should have been the height of his success, he found himself unwilling to get out of bed, avoiding responsibility, even questioning the meaning of life. But when two movie producers proposed turning his memoir into a movie, he found himself launched into a new story filled with risk, possibility, beauty, and meaning.

A Million Miles in a Thousand Years chronicles Miller's rare opportunity to edit his life into a great story, to reinvent himself so nobody shrugs their shoulders when the credits roll. Through heart-wrenching honesty and hilarious self-inspection, Donald Miller takes readers through the life that emerges when it turns from boring reality into meaningful narrative.

Miller goes from sleeping all day to riding his bike across America, from living in romantic daydreams to fearful encounters with love, from wasting his money to founding a nonprofit with a passionate cause. Guided by a host of outlandish but very real characters, Miller shows us how to get a second chance at life the first time around. A Million Miles in a Thousand Years is a rare celebration of the beauty of life.

  • Sales Rank: #7777 in Books
  • Brand: Thomas Nelson
  • Published on: 2011-03-07
  • Released on: 2011-03-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.39" h x .75" w x 5.47" l, .60 pounds
  • Binding: Paperback
  • 257 pages
Features
  • Great product!

From Publishers Weekly
Miller, the accidental memoirist who struck gold with the likable ramble Blue Like Jazz, writes about the challenges inherent in getting unstuck creatively and spiritually. After Jazz sold more than a million copies but his other books didn't follow suit, he had a classic case of writer's block. Two movie producers contacted him about creating a film out of his life, but Miller's initial enthusiasm was dampened when they concluded that his real life needed doctoring lest it be too directionless for the screen. Real stories, he learned, require characters who suffer and overcome. In desultory fashion, Miller sets out to change his own life—to be the kind of guy who seeks out his father, chases the girl and undertakes a quest. Along the way, he comes to understand God as a master storyteller who doesn't quite control where his characters are going. An unexpected bonus of this book is Miller's insights into the writing process. Readers who loved Blue Like Jazz will find here a somewhat more mature Miller, still funny as hell but more concerned about making a difference in the world than in merely commenting on it. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Donald Miller is the author of several books, including the bestsellers Blue Like Jazz and A Million Miles in a Thousand Years. He helps leaders grow their businesses at www.storybrand.com. He lives in Nashville, Tennessee, with his wife, Betsy, and their chocolate lab, Lucy.

 

Most helpful customer reviews

143 of 150 people found the following review helpful.
I Love the Style, Unsure of the Content...
By Pamela S. Hogeweide
Ok, I'm a word snob. I write a lot and read even more. I know that Donald Miller is a good writer. A d-mn good writer. And there were many spots of superb prose on enough pages that kept me on the lookout for the next beauty of a passage. Like this one, for example, on page 155:

"And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time. The more practice stories I lived, the more I wanted an epic to climb inside of and see through till its end."

That is great writing. Miller is totally on his A-game with his craft in AMMiaTY.

Yet the whole time I was reading, there was a tension in my mind.I could not completely enter the dreamland that a book can take you to. I was distracted by a kind of angsty resistance to my perceived takeaway message of the content. The above passage is an example of what I mean.

Normal and ordinary living seem devalued in the premise of the Story about story. Epic living, like hiking the Inca Trail, biking across America, starting a non-profit....all great endeavors, and God knows we can all use a bit of epic goodness in our lives. Yet I can't help but wonder about celebrating normal and steady.

Most of us most of the time must make the best of the story we find ourselves in and make peace with the lack of epic drama. Most of us work at jobs to pay our rent and provide for the people we care for. We are kind to our neighbors and give at the office. This is our epic: that we show up everyday.

My tension with the author's premise about changing your story if you are living a boring life is perhaps just my own effed up issue. But art is in the eye of the beholder and for me it was almost a message of shame. "Live an interesting life or else all is meaningless."

I don't know what page it's on, but there was even a passage about if the people all around you are living boring lives then you are, too. Sheesh. That was harsh.

Let me end my review on a positive note. Most books I can't tell you a favorite passage. But this book I can actually tell you a favorite page: 76. The honesty and self-discovery coupled with descriptive, magical writing of this page was mesmerizing. If you only read one page in this book, make it 76.

I give this book four stars. Great style; he is undoubtedly a Writer and I hope he'll someday write a book on the craft of writing, like in about ten years when he's gone further and deeper and has some distance from the cockiness of youth. (Not a judgment. We're all like that in youth!) I was not sold on the premise of the content. But that's probably my own weirdness. Maybe I need a trip to the Inca Trail to sort my story out.

**note: I catch typos and errors in books all the time, but this one had some glaring mess-ups including misspellings and punctuation issues, like missing quotation marks, etc... I don't think this reflects on Miller's writing at all, but kinda wondered where was the copy and line editors on this one? Most glaring is top paragraph page 172. I live in Portland so it was super obvious to me that not only was the Willamette river misspelled {twice!}, but so was Fremont Bridge....I'm such a spelling geek...but that's my story. Epic. I know.

130 of 139 people found the following review helpful.
A Story About a Story About a Story
By Crestviewer
"...to know there is a better story for your life and to choose something other is like choosing to die."

This is a great book. A book that's fun to read and pulled me in and whose pages flew by. A book that cracked me up and brought tears to my eyes. A book that challenged and inspired. It sounds overly dramatic and just a tad hyperbolic, but I'll look at life (and hopefully live life) a bit differently as a result of this read.

In the choppy/direct/engaging writing style of his best-selling "Blue Like Jazz" (but with some additional maturity and depth), Miller describes the experience of looking at his life as he works with others in developing a movie (loosely) based on his life. The result is a bit distressing for him (as his life is a bit boring), but the lessons from the screen-writing experience have some wonderful applications in real life (A Character is What He Does, A Good Character Listens to His Writer, The Importance of an Inciting Incident, and others). Significant life-change takes place.

Miller teaches almost incidentally as you watch him learn and grow, and his candor about the pain and awkwardness and joy of the process is endearing and appreciated. And encouraging.

There's a lot to chew on in "A Million Miles in a Thousand Years," and I'm not quite with Miller in all of his rifts and conclusions, but I'm grateful that he shared his journey with me.

"...in living a great story, we defy a dark force propagating what I believe to be a lie, that a human life is not worth living, that the story you have living within you is not worth living."

70 of 75 people found the following review helpful.
Donald Miller is back
By Scandalous Sanity
Donald Miller was in a funk. He had written a bestseller, and was now a much sought after speaker. He was accomplished. But for some reason, all of his success didn't bring the climatic ending that he was hoping for. He felt lost. Then he received a call from two men who wanted to turn his book, Blue Like Jazz, into a movie. Miller was unsure of how to turn his book, part memoir and part collection of essays, into a movie. So the two men came to visit him, and teach him about story.

From there Miller uses the elements of story to describe how people can paint a different picture of their life. Miller realizes that the majority of his life has been spent watching stories and making them up. He decides that he will turn his life into a story worth watching, rather than spending his time making up fictional stories.

Miller once again muses on his life, faith, and the human condition, all the while telling the story of his move from writing stories to living them. When he learns that characters are their actions, he resolves to do things with more meaning. He hikes in the Andes, asks out a girl he likes, and eventually meets his father for the first time ever. The comparisons he makes between stories and real life are phenomenal. I found myself reading through certain sections over and over, trying to grasp the depth of the prose. Some of his thoughts that are complex, taking a while to jog their way through your mind; others are simple and profound in their brevity.

For those that have read Miller's previous books, a couple of things will be familiar: his dry sense of humor and superb writing are prevalent throughout the book. What is new is hope. Miller no longer writes like a person wandering through his journey in life honestly searching for answers. He now writes like a person wandering through his journey in life honestly searching for answers, full of hope that one day they will be answered.

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Kamis, 27 Januari 2011

[I685.Ebook] Get Free Ebook Text-Book of Roman Law from Augustus to Justinian, by W. W. Buckland

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This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing pages or blemishes due to the original source content. The UT libraries have worked with various digital partners to provide the best possible customer experience and hope you enjoy the results.

  • Sales Rank: #11637708 in Books
  • Published on: 1990-06
  • Original language: English
  • Dimensions: 9.75" h x 6.50" w x 2.25" l,
  • Binding: Hardcover

Most helpful customer reviews

3 of 3 people found the following review helpful.
Essential Reading
By Dominic M
This book is exceptional; and I highly recommend it. It is 'the' standard textbook on Roman Law, and the most comprehensive and detailed work on the subject available in English. The source referencing and footnotes make this an excellent starting point for any further research you may wish to do on the subject. A working knowledge of Latin may be helpful, but translations are provided for the most part.

It may be desirable to use this book in conjunction with a more contemporary textbook (such as Borowski & du Plessis) but only if one needs to add a layer of modern scholarship to this great work. A must buy!

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Selasa, 11 Januari 2011

[S515.Ebook] Download Dictionnaire encyclopédique du judaïsme : Esquisse de l'histoire du peuple juif, calendrier, by Sous la direction de Geoffrey

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Dictionnaire encyclopédique du judaïsme : Esquisse de l'histoire du peuple juif, calendrier, by Sous la direction de Geoffrey

  • Published on: 1993
  • Original language: French
  • Dimensions: 7.24" h x 2.68" w x 9.09" l,
  • Binding: Hardcover

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Jumat, 07 Januari 2011

[I698.Ebook] Download PDF Lethe: The Art and Critique of Forgetting, by Steven Rendall, Harold Weinrich

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Lethe: The Art and Critique of Forgetting, by Steven Rendall, Harold Weinrich

Lethe: The Art and Critique of Forgetting, by Steven Rendall, Harold Weinrich



Lethe: The Art and Critique of Forgetting, by Steven Rendall, Harold Weinrich

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Lethe: The Art and Critique of Forgetting, by Steven Rendall, Harold Weinrich

"Our daily encounters with forgetting have not taught us enough about how much power it exercises over our lives, what reflections and feelings it evokes in different individuals, how even art and science presuppose―with sympathy or antipathy―forgetting, and finally what political and cultural barriers can be erected against forgetting when it cannot be reconciled with what is right and moral. . . . We find that cultural history provides a helpful perspective in which the value of the art of forgetting emerges. . . . That is the subject this book (through which flows Lethe, the meandering stream of forgetfulness) will try to represent and discuss by means of many concrete examples, taken primarily from literature."―from LetheLethe is an exploration of the art of forgetting―as the counterpart of the rhetorical art of memory―in Western culture from the Greeks to the present. It offers penetrating analyses of works by, among others, Augustine, Bellow, Borges, Casanova, Celan, Cervantes, Dante, Descartes, Freud, Goethe, Homer, Kant, Kleist, Levi, Locke, Mallarmé, Montaigne, Nietzsche, Ovid, Pirandello, Plato, Proust, Rabelais, Rousseau, Sartre, and Wiesel. What emerges is a general view of forgetting that combines a recognition of its necessity and inevitability with a critique of forgetting (particularly in the case of the Holocaust) and the need to combat it. Harald Weinrich's epilogue considers forgetting in the present age of information overflow, particularly in the area of the natural sciences.This magisterial book was first published in German in 1997 and has already been translated into French, Hungarian, Italian, Japanese, Polish, Portuguese, and Spanish; a Korean translation is in the works. This is the first of Weinrich's books to be translated into English and will be welcomed by scholars and students of literature, intellectual and cultural historians, classicists, historians of philosophy, and other philosophers with literary interests. The range of the book is astonishing. In Steven Rendall's skillful and fluent translation, its readability is noteworthy.

  • Sales Rank: #1326508 in Books
  • Brand: Brand: Cornell University Press
  • Published on: 2004-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .89" w x 6.16" l, 1.21 pounds
  • Binding: Hardcover
  • 272 pages
Features
  • Used Book in Good Condition

Review
"Surveying the 'high' literary and philosophical tradition, he casts forgetting in a new light. Memory loss, as commonly understood, is a form of pathology, an illness, and a cause of great anxiety ― consider the stigma attached to Alzheimer's disease. Weinrich on the other hand shines his beam on cases―both real and fictional―where memory is the burden and forgetting the cure."―The Australian, 21 August 2004

"Clearly, Weinrich has an eye for the most far-reaching historical and literary-historical connections. Forgetting has been a topic of great interest in recent years, often in fairly narrow connection with Nietzsche and Freud. This book, with its vastly enlarged range of reference, entirely revises and renews one's sense of the topic."―Henry Staten, MLQ, September 2005

"This is a truly great book, one of the most subtle and certainly lasting contributions to the discussion about the dialectics of memory in our time. Harald Weinrich is one of the most learned European humanists."―Paul Michael Lutzeler, Rosa May Distinguished University Professor in the Humanities, Washington University

"In writing a history of forgetting, Harald Weinrich, who for several decades now has been one of the leading European humanists, has discovered what appears to be the hidden―'the true'―history of our knowledge and perhaps even of what we call our 'culture.' Surprisingly, this turns out to be a history of fears and obsessions, of randomness and necessity, of scarcity, exuberance, oppression―and of redemption."―Hans Ulrich Gumbrecht, Stanford University

"Harald Weinrich is a genuine humanist of wide and profound erudition. His sources include many literatures of the West, from antiquity to the present. His unerring critical judgment permits him to select the essential within these. All these qualities he needs as he tackles the unusual and multifarious topic of forgetting. The book not only conveys enormous information as it considers forgetting from a novel angle but also serves to engender inspiration. Weinrich's text is composed with such clarity and style that reading becomes a pleasure rather than a labor."―Ernst Pulgram, Hayward Keniston Professor of Classical and Romance Linguistics, Emeritus, University of Michigan

"Harald Weinrich formulates topics with extraordinary clarity and writes with an elegance rare in contemporary cultural studies and virtually unknown in German scholarship in the last few decades. Lethe begins as an apparently unassuming history of a topic no one ever thought about before and gradually shifts from narration to a civil but incisive critique of our current situation. The brilliance of the book lies perhaps most of all in its understatement. The most innocent form of philological classification can suddenly open into penetrating moral and psychological analysis."―Jane K. Brown, University of Washington

About the Author
Harald Weinrich has taught at Princeton University and the University of Michigan, as well as at the Wissenschaftskolleg in Berlin and the Scuola Normale in Pisa. Among his books are Das Ingenium Don Quijotes, Tempus, Literatur für Leser, Wege der Sprachkultur, and Textgrammatik der deutschen Sprache. Steven Rendall is the author of many studies on French literature and literary theory and the translator of more than two dozen books from French and German. He currently lives in France.

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